Mónica de la Torre’s most recent book of poems and translations is Repetition Nineteen (Nightboat). Other books include The Happy End/All Welcome—a riff on a riff on Kafka's Amerika—and Public Domain. Recent prose appears in Photostats by Felix Gonzalez-Torres (Siglio) and as an afterword to George Perec’s Ellis Island (New Directions). With Alex Balgiu, she co-edited the anthology Women in Concrete Poetry 1959–79 (Primary Information) and teaches at Brooklyn College and Bard’s MFA program.